视频简介
美国队长史蒂夫·罗杰斯带领着全新组建的复仇者联盟，继续维护世界和平。然而，一次执行任务时联盟成员不小心造成大量平民伤亡，从而激发政治压力，政府决定通过一套监管系统来管理和领导复仇者联盟。联盟内部因此分裂为两派：一方由史蒂夫· 罗杰斯领导，他主张维护成员自由，在免受政府干扰的情况下保护世界；另一方则追随托尼·斯塔克，他令人意外地决定支持政府的监管和责任制体系。神秘莫测的巴基似乎成为内战的关键人物……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。