美丽的秘密插曲

视频简介

Shankar Narayan是一名伟大的政治领导人，富有正义感，同情穷人。他想自己的儿子将来成为一个伟大的政治家。一次他出了车祸，陷入昏迷。他的儿子阿杰长大了，成为一名富有正义感的警察。在土耳其，跟踪犯罪头子Nayak的弟弟Bunty过程中，遇到了让自己心动的美丽女孩Prashanthi，但是他们之间却因误会而认识，在打打闹闹中结束了这缘分。没想到，回到印度，他却无意中遇到Prashanthi，没想到她竟是自己那孩子气上司的女儿。而在追查罪犯的过程中，他发现伤害他父亲的凶手是...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。