视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。故事发生在靓丽繁华,车水马龙的上海。这里有无限广阔的前景和机遇,于是,一群默默无闻的外乡人心中怀揣着发财致富的梦想来到此处,等待着他们的,除了关于未来的无限希冀,还有生活中的种种酸甜苦辣。 农村妇女大徐为人正直善良,不拘小节,因给丈夫治病,欠下大笔债务,为了还钱,大徐来到了上海,依靠捡破烂为生。包工头谢长发精明强干,却在一次意外中受奸人所害,不仅事业受损,自己还锒铛入狱。小裁缝陆文昌,一辈子的积蓄在一瞬间化为乌有,农村小伙蛐蛐,为逐爱来到上海,然而女友梦娜却并不像他所想的那样热情。。该剧讲述了李宽出狱后,前妻丁洁帮助李宽重新树立信心,一家人经历痛苦的交锋与挣扎,最终走出阴霾的故事。。
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