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视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。丹汉森是一个处处留情的保守党专栏作家，洛林布莱尔则是一个爱情专一的自由党专栏作家，两人同在巴尔的摩的太阳报工作。他们对每一件事情都有完全不同的意见，因此变成公私不分的死对头。当地一家电视台决定为他们俩专开一个节目，叫做“公说公有理，婆说婆有理”，让两个人同时上台畅谈自己的想法。随着他们的相处，以前的分歧与火药味似乎已没有那么浓，浪漫的情愫逐渐萌芽，爱情与战争之间似乎只有一线之隔……只要两人达成共识，还有什么不会发生的呢？。