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军统头目吴春凤秘密来到上海，亲自督导抓捕龙啸天的工作，一张巨大天网悄然向龙啸天铺开，从而使他陷入前所未有的绝境。一向出行谨慎的龙啸天突然发现一辆轿车始终在跟在后面，并妄图致龙啸天于死地。龙啸天及时识破对方的阴谋，果断出击，侥幸躲过一劫。与此同时，最可靠的接头地点绸缎庄也遭到特务的血洗，龙啸天无奈带领大家来到一位出国的朋友留给他紧急躲避的一处住所红楼别墅。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。